Brazil - Full Moon 46 - 07/16/00
Various Artists
Velha Guarda da Mangueira e Convidados
Nikita Music
"Samba is my beloved woman, the eternal bedside book. My samba guide is this
group of Velha Guarda da Mangueira." With these verses, Brazilian actor, poet,
and songwriter Mário Lago opens this magisterial recording of Velha
Guarda da Mangueira e Convidados (Old Guard of Mangueira and Guests). As big as
the samba school Mangueira, Brazil's first samba school, Velha Guarda da Mangueira
e Convidados is a Carnaval parade of music, style, and excitement. Quoting Lago
again, listening to this CD will bring you "moments that won't easily be
forgotten."
Every samba school in Brazil has a hall of fame of composers and participants that
carry the group's name from one generation to the next. The group is affectionately
known as the Velha Guard (the Old Guard) of that samba school. In this recording of
Velha Guarda da Mangueira, the group is made up of Mocinho, Zezinho,
Jurandir, Quincas, Ary, Zenith, Genuíno,
Erivá, Tontinho, Soninha, Xangô, Miguel,
and Tia Zélia. Last names are superfluous for this legendary group. With
outstanding artistic direction by Felippe Llerena, production and arrangements by
Josimar Monteiro, Velha Guarda da Mangueira e Convidados is a musical
testament of the great heritage of Mangueira. The album also boasts a list of Mangueira
supporters including Nelson Sargento, Tia Zica, Carlos Cachaça,
Dona Neuma, Guilherme de Brito, Beth Carvalho, Lenine, Délcio
Carvalho, and grand dame of samba Dona Ivone Lara.
The music in Velha Guarda da Mangueira e Convidados includes new compositions as
well as classics by some of Mangueira's greatest composers, such as Cartola, Nelson
Sargento, Nelson Cavaquinho, Délcio Carvalho, Dona Ivone Lara,
and others. The first track, Mangueira Chegou (Mangueira Has Arrived), is the first
samba that had a "surdo" marking the beat of a composition. It is a "samba de
terreiro" or a samba that is performed when the samba school is not practicing for the
annual Carnaval parade. Basically, it is a very lively samba performed only for dancing (not
for competition). Another magnificent samba is Cartola and Paulinho Tapajós'
Chega de Demanda (A Mangueira É Rainha) (Enough of Demands - Mangueira is
the Queen). As indicated by Dona Zica's introduction, this was the samba that Mangueira
sang in its first Carnaval (1929). With this samba, Mangueira won its first championship.
Another winner - this time in the 1948 Carnaval - Vale do São Francisco (San
Francisco River Valley) unites Nelson Sargento and Lenine in an unforgettable
duet. A moving piece composed by Aldir Blanc (who is not a member of Mangueira) and
Moacyr Luz pays homage to the legendary Carlos Cachaça. The song opens
with the voice of Cachaça explaining how he got his nickname (cachaça in
Portuguese is a hard liquor made of sugar cane). It is a well deserving tribute to one of
Mangueira's greatest sons.
Over and over, Velha Guarda da Mangueira e Convidados relives the
history of samba in Rio de Janeiro and Brazil. Yes, samba will not die, and Velha Guarda da
Mangueira e Convidados is life and samba being reborn at every listening.
Copyright © 2000 Egídio Leitão
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