US - Texas - Full Moon 43 - 04/18/00
The Press Darlings
Standard Candles
Veronica's Veil Recordings
At a lull at the end of a party at the end of some Hyde Park block, the
subject was broached to me by one particular lad if I thought that another
My Bloody Valentine record would ever come out. Of course repressing the
bile at having missed their legendary show from a near decade ago at the
Liberty Lunch (RIP) simply because I couldn't fathom paying $12 for a show
I would have to drive to (this being high school and 100 miles from
Austin), I answered cooly, perhaps with a puff of a Nickel, that I
couldn't care less if another My Bloody Valentine record ever came out,
because there is no way for it to even stand next to the mountain that is
Loveless. (See The Stone Roses' Second Coming for clues.)
Having heard such atrocities as the Mogwai remix and the contribution to
Mr. Oppurtunist hisself (aka DJ Spooky) on that Subliminally Minded EP,
and having not heard such dumbass ideas from The Wire about a 'Harmonica Feedback
Quartet', it would be best for Mr. Martin to vy for some of that space in
Brian Wilson's sandbox, because he would only cripple the fervored
religion that has since been erected over the blurry blood fingers and
frets of that last transmission. His noise is now scattered like charred
martyr dust, recollecting in lesser ears, and futily attempting sparks of
divinity on too pavlovian a tongue. His message has been transmitted, yet
it has been diluted by influence as well. That dust does have a scent
though, like overcooked tubes, deep-heated orange and violet, churning
like lounge electricity itself, so big and blue, swallowing back the back
wash of lukewarm bottles of Sixteen Deluxe, a water purified and distilled
by rippling feedback. These oceans might mean subconsciousness, as we are
soaking in it, but what would R.E.M. sleep be like for each diving
raindrop? Must it too worry about rent and day jobs, even in the middle of
a daydream? And what's with all these single-word titles, neither pearls
of syntax in and of themselves, nor slushing down storm drains near this
wet writer's block into a precipitated whole? Is it that hard to remember
a title, or a blurry haze of chords for ideal blinding feedback? Still I
must mumble under my structured breath some lyrics, and a prayer for a
return to form of the unformed, that which My Bloody Valentine so
endearingly.
Copyright © 2000 Andy Beta
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